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How can virtual spaces, digital media and its potential be utilised for cultural education programmes? The authors analyse the issue by looking at three good practice examples from adult education centres and point out the contributive effect of a reasonable and elaborate use of digital tools in cultural education for the participants’ digital education.
The article examines the development in demand for the independently creative area of cultural adult education. It also focuses on stakeholders and developments of a new conceptual meaning. The authors particularly call the gender role for independently creative programmes into question and develop hypotheses to explain the dominant proportion of women.
